It's  probably no surprise that Norman Lear has seen his relevancy rise even  higher in recent years. Lear's classic 1970s sitcoms, such as " All in  the Family," "Maude," "Good Times" and " The Jeffersons," feel just as  applicable today as they did 40 years ago.
 And that's part of the  motivation behind ABC's Wednesday night special " Live in Front of a  Studio Audience: Norman Lear's ' All in the Family' and ' The  Jeffersons.'"
 The special is a re-creation of two episodes, one  from each series, as performed by contemporary stars - including Woody  Harrelson as Archie Bunker, Marisa Tomei as Edith Bunker, Jamie Foxx as  George Jefferson, and Wanda Sykes as Louise Jefferson.

 The actual  episodes used are under embargo, but there is a natural thread between  the two shows, given that "The Jeffersons," which ran from 1975 to 1985,  is a spinoff of "All in the Family," which aired from 1971 to 1979. For  this special, the two shows' living room sets have been re-created  side-to-side on a sound stage at the Sony Pictures lot in Culver City,  Calif., and it's seamless.
 At a Tuesday night dress rehearsal for  the special, Jimmy Kimmel - who is executive producing the live event  with Lear - called both Lear series "two of the greatest and most  important shows in TV history.
 "[Lear] did so much for freedom of speech and inclusivity," Kimmel told the audience. "We'd be way behind without him."
 Some  of the subject matter discussed on both shows, of course, are also a  reminder of how some things haven't changed - except, perhaps, for what  can be said on television now. Lear's shows were famous for boldly and  bluntly discussing race relations, socioeconomics, women's rights,  family dynamics and more.
 But some of the words used in those  discussions might seem jarring to people in 2019. In particular that the  bigoted character of Archie Bunker has goodness deep inside him, but  you're supposed to be turned off by his viewpoints.
 "Some of the  jokes are going to be shocking to you," he warned the crowd, noting the  irony that certain words are no longer acceptable on TV, yet "now you  can have dragons burning naked women at the stakes."
 Kimmel added  the audience that some of those words heard on stage will be bleeped -  "don't be horrified," he quipped. Also, Lear will appear in an opening  pre-taped segment noting how back in the 1970s, "people weren't used to  TV shows dealing with issues," and that humor was one way to do so - but  that "the language can still be jarring today."
 By revisiting  these shows now, Lear added, he hopes the presentation will "make you  laugh, provoke discussion, and encourage action... there's still so much  work to do."
 The 90-minute special itself feels like a bit of  time travel, giving audiences a chance to revisit some old friends, but  with a different sheen. And unlike those pre-taped multi-camera shows,  this time it's all live.
 But on Tuesday night, flubs were kept to  a minimum, under the eye of famed sitcom director James Burrows. As  Kimmel and Lear sat at a large table just off camera, "All in the  Family" began just like it always did: With Archie and Edith crooning  "Those Were the Days." But this time, it's Harrelson and Tomei playing  tribute to Caroll O'Connor and Jean Stapleton.
 Because it's live,  the prop team and set designers race to move things around during  commercial breaks while a fifth camera (normally multi-camera sitcoms  employ four cameras) has been added to make sure no shots are missed.
 Ellie  Kemper, Ike Barinholtz, Sean Hayes and Anthony Anderson are also among  the performers in the "All in the Family" segment. After that half of  the special, Lear proclaimed himself "over the moon," adding to Kimmel,  "bless you for doing this." Kimmel added that he felt like he was "nine  years old in Brooklyn, watching this show."
 Before the second  half began, Foxx couldn't help but mug for the audience and interact  with the crowd (a week after he similarly took over the DJ booth at  Fox's upfronts party in New York), before doing an exaggerated strut in  the style of Sherman Hemsley as George Jefferson. Just as Tomei stole  the first half as Edith, Sykes was a force as Louise Jefferson, while  Kerry Washington, Will Ferrell, Amber Stevens West, Stephen Tobolowsky and Jackee Harry were also featured.
 More surprise guest stars - also under embargo - also showed up to surprise the crowd.
 At  the end of the night, after several hours under punishing hot lights,  Foxx suggested that perhaps a bit more air conditioning was necessary  for the room. Beyond that, Harrelson called the experience "thrilling  and terrifying" but also "such a privilege to be a part of Norman Lear's  legacy."
 In success, "Live in Front of a Studio Audience" could  become an occasional event for ABC. Said Kimmel: "This was so much  better than I hoped it would be!" Source: Variety.
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